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艺术家炫名，在精神压抑时找到了艺术，曾创立了Apm数学定理，也曾身无分文地流浪过。在2016年，他的自传式文学书籍《漂·绎：一个艺术家的疯狂、性、艺术与哲学》出版，讲述其故事、油画、诗作和哲学。至今他已在北京、上海、塞尔维亚、芬兰、土耳其、成都、广州、东莞、深圳等地举办过各种个人展览及艺术活动。

炫名的作品涉及科技、社会、人生与哲学等元素，而最为突出的是其对数学的涉及。在他的画中总能发现与数学、密码相关的特性，在这部分画中，他把自己创立的Apm定理融入其中，每一个符号、几何图形的构成、甚至物象和线条的位置或颜色的选择都是一套经过数学处理的密码，而里面则隐含着一些被遗忘的信息。如同一张寻宝地图般诉说着一个隐蔽的故事。他创立的这些秘密系统都具有显著的象征意义，为此经过两年的探索和总结提出密码主义的新艺术形式。他的画所涉及的主题：数学、哲学、物理、宗教和社会，都在以各自的方式——逻辑、思辨、探索、信仰与感受——企图阐述人生与宇宙的奥秘以求找到可能的真理，而这也是炫名的艺术之路，在未知的深究中不断前行。

 

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Artist Pamviles encountered art during a profound mental breakdown at the tender age of 18. Since that transformative moment, art has woven itself into the fabric of his existence. With a journey marked by 8 solo exhibitions and numerous group showcases in locales like Beijing, Shanghai, Finland, Serbia, Turkey, Shenzhen, Guangzhou, Chengdu and Dongguan, his artistic footprint spans diverse landscapes. Pamviles has also authored a book encapsulating his stories, paintings, poetry, and philosophy.

His creations traverse the realms of life, mathematics, philosophy, and society. At 20, he birthed the Apm Theorem, a mathematical construct now integral to his artistic practice. His educational background in mathematics merges seamlessly with his current artistic expression, which prominently features coded elements. Within these cryptic codes lies hidden narrative, akin to maps unveiling concealed stories. These self-fashioned code systems carry profound symbolism. After over two years of exploration, in 2019, he articulated a new artistic form, the Codism Manifesto, as a conduit for his unique art theory—an eloquent testament to his evolving journey as an artist and thinker.